Shining DESPAIR
Juan Harnie
Belgium

Necklace “Mend38”, 2024
Cotton handkerchiefs, sewing thread, stuffing, 102x440mm
Cutting and assembling the parts together by hand, layering yarn by using a sewing machine, making rope out of the same sewing thread as used in the piece

Necklace “Mend39”, 2024
Cotton handkerchiefs, sewing thread, stuffing, 102x440mm
Cutting and assembling the parts together by hand, layering yarn by using a sewing machine, making rope out of the same sewing thread as used in the piece

As a child, I would watch my mother patch up worn garments, sometimes joining in with clumsy attempts. These moments weren’t about creating something perfect, but rather about the shared experience. Each stitch she made was a gesture of love and attention, a quiet, enduring form of care. As an adopted child, the garments my mother mended for me took on a special significance. They became symbols of the unconditional love and acceptance my parents showed me. Mending, in its simplicity, holds a powerful message: that brokenness is not the end, but the beginning of something renewed.

To my parents: my art is my way of saying thank you, of recognizing the countless hours you spent ensuring that we had everything we needed.

More « Shining DESPAIR »

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Spinning reflections on the title of the competition.

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Shining Despair – Willy vande Velde / Belgium

The ring is part of the communication series.

Shining Despair – Clara del Papa / Italy-Venezuela

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« Flowers are weak creatures, naive. They reassure themselves as best they can.

Shining Despair – Jeanine van der Linde / Netherlands

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Shining Despair – Susan Buchanan / Australia

The Earth flexes its muscle, the applied concrete ‘urban skin’ breaks open and a microcosm of life is created in the cracks in the pavement.

Shining Despair – Youjin Um / South Korea

My No. 1 treasure is my happy childhood memory.